Visiting Minds. Lasting Influence.

The School of the Art Institute of Chicago’s (SAIC) Visiting Artists Program (VAP) is pleased to announce the fall 2012 lecture schedule. Join us for one of the city’s leading public forums on the presentation and contemplation of contemporary art, design, and scholarship.
All lectures are free and open to the public unless otherwise noted. Doors open at 5:30 p.m., and lectures begin promptly at 6:00 p.m. All seating is first come, first served. Reservations may be accepted for groups of 10 or more made at least two weeks prior to the event. Please contact events@saic.edu or 312.899.5185 for more information. 



VISITING ARTISTS PROGRAM FALL 2012 SCHEDULE


Catherine Opie, Kate, 2007, Chromogenic Print, 30 x 40 inches. Courtesy of Regen Projects, Los Angeles

Catherine Opie: William and Stephanie Sick Distinguished Professor
Monday, September 10, 6:00 p.m. 
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Since the early 1990s, Catherine Opie’s photography has documented sexual, communal, and cultural identity. Her subject matter is diverse, ranging from portraits of personal relationships and social and lifestyle networks, to cityscapes, still lifes, and landscapes. Opie’s formally rigorous aesthetic and deep investigation of how communities form and are defined bind together a practice that honors the humanity of all her subjects.
More info


Stephen Burks, Man Made Material Composition (Crown), 2011. Photo: Kevin Kunstadt and Andrew Kenney. Courtesy of Readymade Projects Inc., New York

Stephen Burks
Tuesday, September 25, 6:00 p.m.
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Stephen Burks is one of the most recognized American industrial designers of his generation. His New York studio, Readymade Projects, has been responsible for creative direction and industrial design on retail interiors, events, packaging, consumer products, lighting, furniture, and home accessories. He has developed innovative concepts for renowned international brands and continues his commitment to sustainable design by collaborating with artisans in the developing world to transform raw and recyclable materials into functional products.
More info 



Bitch, the Frontier Issue, #54 (cover). Courtesy of Bitch Media

Andi Zeisler
Wednesday, October 3, 6:00 p.m.
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Andi Zeisler is cofounder and editorial/creative director of Bitch Media, the nonprofit organization best known for publishing Bitch: Feminist Response to Pop CultureBitchbegan in 1996 as an all-volunteer ‘zine with a circulation of 300 and is now an internationally distributed quarterly magazine with a circulation of 50,000. Bitch Media, a mission-driven, reader-supported organization, also publishes a thriving website and hosts programming related to feminism, activism, and media literacy.
More info 



Tania Bruguera, Tatlin Whisper # 6(Havana version), 2009, Stage, podium, microphones, one loudspeaker inside and one loudspeaker outside of the building, two persons dressed in a military outfit, white dove, one minute free of censorship per speaker, 200 disposable cameras with flash. ©Tania Bruguera, 2009

Tania Bruguera: Distinguished Alumni Lecture Series
Monday, October 15, 6:00 p.m. 
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

SAIC alumna Tania Bruguera (MFA 2001) is one of the leading political and performance artists of her generation. Her work researches ways in which art can be applied to everyday political life, creating a public forum to debate ideas shown in a state of contradiction, focusing on the transformation of the “viewer” into one of “citizenry.” Bruguera’s terms “arte de conducta” (conduct/behavior art) and “arte útile” (useful art) define her practice.
More info 



Aaron Koblin, The Sheep Market, 2006.The Sheep Market is a collection of 10,000 sheep created by workers on Amazon’s Mechanical Turk. Workers were paid $.02 (USD) to “draw a sheep facing to the left.” Animations of each sheep’s creation may be viewed atTheSheepMarket.com.

Aaron Koblin
Thursday, October 25, 6:00 p.m. 
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Aaron Koblin is an artist and designer specializing in data and digital technologies. His work takes real-world and community-generated data and uses it to reflect on cultural trends and the changing relationship between humans and the systems they create.
More info 



Jean Shin, Everyday Monuments, 2009. Sports trophies, painted cast and sculpted resins, projections. Floor Installation: Dimensions variable, approximately 7.33 ft h x 5 ft w x 45 ft d, Wall Projection: 9.33 ft h x 42 ft w. Commissioned by the Smithsonian American Art Museum, Washington, D.C. for the exhibition, Jean Shin: Common Threads. Courtesy of theartist.

Jean Shin
Wednesday, November 7, 6:00 p.m.
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Jean Shin’s monumental installations transform everyday objects into elegant expressions of identity and community. For each project, she amasses vast collections of a particular object—prescription pill bottles, sports trophies, sweaters—often sourced through donations from a participating community. These intimate objects then become the materials for her conceptually rich sculptures, videos, and site-specific installations. 
More info 



Lari Pittman, A Transcendent Mutability Produced by Camouflage, 2012, Cell-Vinyl and aerosol lacquer on gessoed canvas over panel, 102 x 88 inches. Courtesy Regen Projects, Los Angeles © Lari Pittman

Lari Pittman
Monday, November 12, 6:00 p.m.
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Lari Pittman’s work presents juxtapositions between the utopic and dystopic, the sacred and the profane, and the public and the private, drawing simultaneously on elements of abstraction and figuration. Pittman’s paintings and works on paper present a multifaceted image field that appears to be constantly shifting and reinventing itself. 
More info

The Parlor Room Presents: Nat Trotman

 
Monday, April 16, 4:30 p.m.
Columbus Auditorium, 280 S. Columbus Dr. 

Join us for a lecture and brief question-and-answer session with artist Nat Trotman, Associate Curator, Solomon R. Guggenheim Museum, New York.

In this lecture Trotman will discuss the Guggenheim’s recent exhibition Found in Translation, which gathered works in video and photography to investigate ways that cultural difference can be articulated through language and text. How might the notion of translation serve as a model and metaphor, opening a discursive field in which the terms of identity—class, race, religion, sexuality—are negotiated, and meaning is generated? And how can such questions be articulated through the format of a museum exhibition? Beyond more theoretical concerns, Trotman’s talk will provide insight into the logistics behind an exhibition’s production, from concept to checklist to installation.

Design Overflow: Conversations on Self-initiated Projects

Wednesday, March 14

7:00–9:00 p.m.
Columbus Auditorium, 280 S. Columbus Dr. 

The AIGA student chapter at SAIC will be hosting “Design Overflow,” the second student-led Designers Accord Town Hall Meeting. This event features designers speaking about projects they pursue from interest outside their professional life. Each speaker will present ideas, past projects, or future endeavors on the theme Design Overflow. It is a great way for students, teachers, and professionals to come and share a dialogue about how to undertake a self-initiated project: from idea generation, its development, to its final result.

Light snacks and drinks will be provided. Please RSVP at http://designoverflow.eventbrite.com.

Visiting Minds. Lasting Influence.The School of the Art Institute of Chicago’s (SAIC) Visiting Artists Program (VAP) is pleased to announce the spring 2012 lecture schedule. Join us for one of the city’s leading public forums on the presentation and contemplation of contemporary art, design, and scholarship.All lectures are free and open to the public unless otherwise noted. Doors open at 5:30 p.m., and lectures begin promptly at 6:00 p.m. All seating is first come, first served. Reservations may be accepted for groups of 10 or more made at least two weeks prior to the event. Please contact VAP at events@saic.edu or 312.899.5185 regarding your request. For podcasts of previous lectures and additional information, including articles, videos, and more, please visit our web page atsaic.edu/vap, sign up to receive VAP e-news, and “Like” us on Facebook!If you have a disability and would like to request an accommodation for this program, please contact the Disability and Learning Resource Center at dlrc@saic.edu or 312.499.4278 as soon as possible to allow adequate time to make proper arrangements.
Sam Lipsyte and Ben MarcusTuesday, February 7, 6:00 p.m., book signing to followSAIC Columbus Auditorium, 280 S. Columbus Dr.
Emily Pilloton Distinguished Alumni Lecture Series Thursday, February 16, 6:00 p.m.SAIC Columbus Auditorium, 280 S. Columbus Dr.
Marilyn Minter Monday, March 12, 6:00 p.m. Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr. 
Brent Green Lecture and Live Musical PerformanceWednesday, March 28, 6:00 p.m. The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.
Kellie JonesEyeMinded: the lives of a curatorThursday, April 5, 6:00 p.m., book signing to followSAIC Columbus Auditorium, 280 S. Columbus Dr.
Pearl FryarWednesday, April 18, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr.
Tehching Hsieh Tuesday, April 24, 6:00 p.m.The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Visiting Minds. Lasting Influence.

The School of the Art Institute of Chicago’s (SAIC) Visiting Artists Program (VAP) is pleased to announce the spring 2012 lecture schedule. Join us for one of the city’s leading public forums on the presentation and contemplation of contemporary art, design, and scholarship.

All lectures are free and open to the public unless otherwise noted. Doors open at 5:30 p.m., and lectures begin promptly at 6:00 p.m. All seating is first come, first served. Reservations may be accepted for groups of 10 or more made at least two weeks prior to the event. Please contact VAP at events@saic.edu or 312.899.5185 regarding your request. 

For podcasts of previous lectures and additional information, including articles, videos, and more, please visit our web page atsaic.edu/vap, sign up to receive VAP e-news, and “Like” us on Facebook!

If you have a disability and would like to request an accommodation for this program, please contact the Disability and Learning Resource Center at dlrc@saic.edu or 312.499.4278 as soon as possible to allow adequate time to make proper arrangements.

Sam Lipsyte and Ben Marcus
Tuesday, February 7, 6:00 p.m., book signing to follow
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Emily Pilloton 
Distinguished Alumni Lecture Series 

Thursday, February 16, 6:00 p.m.
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Marilyn Minter 
Monday, March 12, 6:00 p.m. 
Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr. 

Brent Green 
Lecture and Live Musical Performance

Wednesday, March 28, 6:00 p.m. 
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Kellie Jones
EyeMinded: the lives of a curator

Thursday, April 5, 6:00 p.m., book signing to follow
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Pearl Fryar
Wednesday, April 18, 6:00 p.m. 
SAIC Columbus Auditorium, 280 S. Columbus Dr.

Tehching Hsieh 
Tuesday, April 24, 6:00 p.m.
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Dr.

Source: saic.edu

The Society for Contemporary Art at the Art Institute of Chicago presentsJOSEPH GRIGELYTHURSDAY, JANUARY 26, 20116:00 p.m. Lecture, “No Good (Except Historical)”: A talk about thebeauty of failurePrice Auditorium, The Art Institute of ChicagoPlease use the Michigan Ave entrance
Joseph Grigely will lecture on a topic from his forthcoming bookTextualterity 2. As he describes, “Our culture is obsessed withperfection, it loves the masterpiece, it adores virtuosity, butperfection and masterpieces and virtuosity all evolve at the expenseof failure—things that go wrong and create in the processopportunities from which beauty emerges, sometimes in the mostimpossible of ways.” Examples discussed in the talk will include poemsand paintings, as well as perfumes, diamonds, and trout flies, and thecomplex place of failure in the making of art forms like these.

The Society for Contemporary Art at the Art Institute of Chicago presents
JOSEPH GRIGELY

THURSDAY, JANUARY 26, 2011
6:00 p.m. Lecture, “No Good (Except Historical)”: A talk about the
beauty of failure
Price Auditorium, The Art Institute of Chicago
Please use the Michigan Ave entrance

Joseph Grigely will lecture on a topic from his forthcoming book
Textualterity 2. As he describes, “Our culture is obsessed with
perfection, it loves the masterpiece, it adores virtuosity, but
perfection and masterpieces and virtuosity all evolve at the expense
of failure—things that go wrong and create in the process
opportunities from which beauty emerges, sometimes in the most
impossible of ways.” Examples discussed in the talk will include poems
and paintings, as well as perfumes, diamonds, and trout flies, and the
complex place of failure in the making of art forms like these.

unbuiltroads:

TODAY! Artist Talk—Matt Keegan

12/8/11, 6-7 p.m.Morton Auditorium
Exposure: Matt Keegan, Katie Paterson, Heather Rasmussen
Matt Keegan’s site-specific installation grew out of the artist’s longstanding fascination with cities. Focusing on Chicago and New York, Keegan creates a meandering visual conversation with sculptures, annotated artist’s books, and seemingly random photographs mounted on sheet-metal panels painted the standard-issue color of municipal bridges in Chicago. These works remind us not only of the constant dialogue between the cities but also their constant flux.  http://www.artic.edu/aic/calendar/event?EventID=9398

unbuiltroads:

TODAY! Artist Talk—Matt Keegan

12/8/11, 6-7 p.m.Morton Auditorium

Exposure: Matt Keegan, Katie Paterson, Heather Rasmussen

Matt Keegan’s site-specific installation grew out of the artist’s longstanding fascination with cities. Focusing on Chicago and New York, Keegan creates a meandering visual conversation with sculptures, annotated artist’s books, and seemingly random photographs mounted on sheet-metal panels painted the standard-issue color of municipal bridges in Chicago. These works remind us not only of the constant dialogue between the cities but also their constant flux.  http://www.artic.edu/aic/calendar/event?EventID=9398